Sunny's Blog

Brenda Boyer

Brenda Boyer

What's up guys in this tutorial I will show you how to render an animation in Cinema 4D. This is a really great tutorial called Thats why I decided to release it. Just follow what I do and you are rendering in no time =). Remember, the codec, just scroll to the bottom of this page and click on Download www.drastic.tv Extra Tags Extra Tags] IGNORE [Extra Tags] ignore the extra tags … Call of Duty WaW new ways that I and my friend found the only way out of this board without mods JOINShi No numa DG2 ray gun wanderwaffle corrison Pack bounce over small-call person is jackbean8822 get people to join Cod World at War Nazi Zombie Glitch Shi No New Numa Swamp Mad About Modern Warfare Xbox 360 PS3 Hack giant fallen transformers Tutorial Revenge Cheats killers2kill CP 1 Wwe Adam free money Recon Armor Master Chief PS3 Microsoft ELITE Master Chief machinima prepared as Xbox 360 ® What is machinima for the next wave of audience gamertag changeExpansion, Microsoft today announced a new Xbox experience Habbo free U.S. and Canada reinvent home entertainment from the inside out, changing the way we play games, watch movies and TV shows, and even competitors in the game show becomes. It all begins this fall with a completely new look and feel that is fun, social and easy to use. Exit Sign to YouTube now! FLYING GHOST Sign in with your Google Account! This is a preview of the new E3 Xbox 360 … MONEY…

Brenda Boyer

I've definitely learned that there is no "right way" to animate a shot. I've seen people animate in ways that seem insane to me, but somehow they get amazing results. I've also had some co-workers look at my method with puzzled looks in their eyes, but it works for me. So anyone that tells you there is one way to animate hasn't been exposed to enough animators yet.

However, there is a right and a wrong way to plan your shots. It's very simple. ALWAYS PLAN YOUR SHOTS!!! I have been guilty in the past of trying to rush through my planning and start on a shot to save time. Inevitably, I end up wasting more time stumbling through my animation, and my work never looks as good.

My work flow has become pretty consistent since I've started working. If my shot has dialogue, I will listen to it repeatedly until I have a very solid feel for the timing and dynamics. No matter what kind of shot it is, I always shoot video reference. I try to take the time to do many different takes so that I have a lot of options to choose from. It is a lot quicker to explore ideas in front of a camera than it is to animate them. One thing I always try to keep in mind when filming myself is to try to not be too conscious of what I'm going to look like on screen. I've found that if I am thinking about how I am posing myself my reference will end up looking unnatural and will also be filled with generic animation ideas. However, if I simply try to put myself in the mindset of the character, forget the camera, and actually react to the situation in a natural way, my reference will be full of little ticks and behaviors that I probably wouldn't have thought of. It makes for more believable and interesting animation.

Once I have a direction that I am happy with, I thumbnail out my key poses and take notes for myself. I don't worry about whether the drawings are good or whether anyone else can understand my notes. They are a blueprint for me to be able to build my shot, and the process of drawing them forces me to really study what is happening in the reference. I always make sure to pay attention to not only the main poses, but how the different body parts move from pose to pose. I often find it is the spaces between the poses that can make the difference between a character feeling real or animated. Clean arcs are of course one of the fundamentals of animation, but sometimes you need a little messiness in the movement. This is especially true in visual effects animation for live action films.

At this point, I can finally jump onto the computer and start my blocking. My first blocking pass usually sticks very close to the thumbnails and reference. I personally like to have my first set of keys be a performance that I know is already solid before I start deviating. My final animation may end up vastly different than my original reference, but it gives me a great foundation to start with. Once I feel like that is working, I will begin pushing the poses, tweaking the timing, and exploring ideas. Also, this is around the point when I try to get feedback from my leads or co-workers to see what they feel is or isn't working well.

After that, it is hopefully (but not always) a painless process of getting notes and making revisions until you end up with a fantastic final product!

Related Link's

Sunny's Blog

Tuesday, November 9, 2010

Flash animation - balance method

Wednesday, September 29, 2010

How to render an animation in Cinema 4D

Wednesday, September 8, 2010

Describe Your Workflow When You Start Animating a Shot. Is There a Right or Wrong Way?

Followers

About Me